How Do You Work This Thing?

TimecastWomen crawl all over me
I’m as smooth as a millionaire
Preacher always calls on me
I got a soothing way with a prayer

–Jeff Holmes/The Floating Men, "Long-winded Prayer"

A fortune teller in the French Quarter once told me that I would never make a good politician. "You’re too honest, brother," he said.

He explained that in order to politick, you must be able to spin. In order to spin, you must be able to put yourself out in front of people, smile in their faces, and convince them to buy what you’re selling without sounding like you’re trying to convince them to buy what you’re selling. I assume the same abilities are required for sales and marketing folks, who make a living convincing us consumers to plunk down money for things we don’t really need and reasons we never entirely understand.

I’m not criticizing the practice. In fact, I’m rather envious. When I worked in newspaper, I sometimes made a point of expressing my appreciation to the sales and marketing folks for the jobs they do. Anyone who can beat the drum for the product day after day and not want to go home and crawl under the bed at night has my utmost, undying respect.

Last week, I finally released my time travel novelette Timecast (which I wrote about in my last post) to the world via Amazon, Barnes & Noble, Kobo, Google eBooks, iTunes, and Goodreads. My confidence was boosted almost immediately when my first sale and first customer review appeared on Amazon.com. It was an unsolicited 5-star rave: "really enjoyable, well written, and nicely paced" the reviewer wrote. It was music to my ears.

That said, I can tell you that I’ll never expect sales of Timecast to reach stellar heights. Not because of any fault with the story or its crafting. It’s a unique short work of time travel fiction, if I do say so myself. The problem is that I’m an introvert, awkward at socializing in both real life and online. I can tweet about Timecast all I want, but unless I can sell you on it (establish it as something you want or need to read) you’ll easily pass on it no matter how great I think it is.

What to do, then?

The only thing I can figure is that I need to find some way to play the extraverts’ marketing game without creating undue stress and risk to my introverted nature. Although extraverts might think differently, introverts are most of the time quite happy being introverts. We are not broken extraverts. However, there are times such as these–when you’re trying to market a book– that being an introvert is darned inconvenient.

For now, I’m still figuring things out. Meanwhile, if you happen across this post, look me up on Twitter or Goodreads. Friend/follow/fan me and I’ll friend/follow/fan you back if I can or should. Purchase a copy of Timecast for your favorite reading device (Kindle, Nook, Kobo, iPhone/iPad, PC, Mac) and provide a review, if you’re moved to do so. I’ll do my best to support your work as well.

I know there are many of us introverted, reclusive storytellers out there struggling to be heard. And the only way we’ll get heard is if we stick together and learn the promotional ropes because most of us will never, ever get a book deal that comes with successful marketing all gift-wrapped in a pretty box with a bow.

Social Networking to Land a Paying Gig: It’s Not Just for Writers Selling Manuscripts

Marian Schembari at Publishing Trends details how she landed a job in publishing, but not by sending out resumes and cover letters.

Of course, advertising yourself to get a job is a little weird, I have to admit. It’s one of those stories you hear about people wearing their resume on a T-shirt or taking cookies to an interview. No one wants to be that person.

Have We Ever Paid for Content?

Paula Graham says the much-discussed "pay for content" online news model may be fundamentally flawed in that newspapers and magazines never really charged for their content, even in print. Subscriptions and newsstand prices have been traditionally used to pay for the medium, and the means of distribution, and not for the content of the articles.

In fact consumers never really were paying for content, and publishers weren’t really selling it either. If the content was what they were selling, why has the price of books or music or movies always depended mostly on the format? Why didn’t better content cost more?

One could argue, however, that via iTunes, Apple has successfully transitioned music from consumers paying for medium to consumers paying for content. Could the same happen for online news and online books? Graham says that iTunes is actually more of a "tollbooth."

Discovered via New Business Models for News and @freddieoconnell.

A Literary Agent Explores ‘Publishing as a Service’

Literary agent Nathan Bransford wonders whether authors of the future will actually need publishers. The publishing industry is, like many others, in the throes of major transformation.

My guess is that we’ll continue to see the mainstream publishing industry focus on the bestselling titles, and there will be a new crop of e-publishing services available for the rest. Some titles will rise up from the morass of author-published works and receive attention from the mainstream publishers, and some big authors will choose to take on the responsibilities of publishing themselves and bypass the publishers.

Intensely Local Magazines Resist Recession Slump

Forbes.com interviews Larry Platt, chief of Philadelphia and Boston magazines on why local-centric publications have fared much better during the recession than their broader-based advertising competition.

City magazines have suffered surprisingly little damage during the recession. Of the nearly 100 members of the City and Regional Magazine Association (CRMA), only two have closed in 2009, the group reports. Drops in city magazine ad pages this year hover in the high teens, half that of some national magazines (though major market titles, like New York and Los Angeles have been harder hit).

‘Twilight’ Author Sends Classic Bronte Soaring to New ‘Heights’

Don’t bother lamenting that kids aren’t interested in the classics anymore. Apparently all it takes is the endorsement of a wildly popular author of sparkly vampire stories. Discovered via The Book Blog.

Teenage fans of Stephenie Meyer‘s Twilight series have sent Wuthering Heights – the favourite novel of the books’ hero and heroine – soaring to the top of the classics bestseller charts.

A new edition of the novel, repackaged in a similar style to Meyer’s Twilight books – black cover, white flower, tagline "love never dies" – was released in May this year, and has already sold more than 10,000 copies in the UK, nearly twice as many as the traditional Penguin Classic edition, making it Waterstone’s bestselling classic.

Hide and Seek

Every would-be novelist, self-help author, or poet has the occasional dream of fame and fortune.

You get your book into bookstores, put it out there on amazon.com, and voila! you have an instant bestseller and get to spend your afternoons strolling with Stephen King.

Not so much.

What few writers realize in the beginning is that when you publish a book, whether traditionally or self-publishing, you are starting a business. That business is you: the words you write, the opinions you publish, and the entertainment you provide. You are a seller in a marketplace that is positively flooded with other sellers.

So how do you get yourself noticed?

It’s a question I’m asking myself as I craft the first draft of my first novel. I do not think it’s too early to start considering a marketing plan. And these days, one of the least expensive and most effective means of marketing oneself is via online social networking and the Internet.

Here’s a great “how I did it” post by a new start-up SEO company (and friend of mine) that I found enlightening.

On the day I gave notice at my previous employer, I knew that I would need to have a web presence ready to go before the day I was actually out on my own, both for explaining to people what I was doing and for SEO reasons. I gave notice on Monday, July 27th, 2009. I gave the customary two weeks, so my last day in the office would be Friday, August 7th. more…