I am a meticulous word-counter.
It doesn't matter how well I am telling a story--how poetic the prose or how professional and entertaining the narrative--if I haven't written at least 1,000 words by the end of a two-hour session of pounding keys.
A thousand words isn't a lot, but I imagine I'm slower at the craft than most, more careful in my first draft than many other wordsmiths, who spend a greater amount of time rewriting on the second and third times through than I.
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